I hope you are all staying well and sane during these difficult times. To lighten the mood, I thought I would share with you a band promo shot from a few years back – well, eight to be exact. This was not how I had expected the shoot with Small Shipwrecks to go, but snow was falling and we couldn’t resist the temptation to be in it.
Outside was just gorgeous, made more special by the fact that it is so rare for us to get snow in Lewes. I am a New England gal and I do miss the cold white winters of my youth. Once we had set up outside, everyone relaxed into the novelty and joy of playing music in falling snow, and I got my shot. You can find more of my portraiture here.
This is Free Wharf, a large scale development that will bring 536 mixed tenure homes and commercial spaces to Shoreham Harbour over the next few years. I have been photographing the site for Southern Housing Group since July of last year. This shot is significant because it shows the new flood defence inside the rusty old sea wall running parallel to it.
The engineering required to build this is beyond my understanding, but I have been photographing the muddy, mucky, painstaking process over the past year and a half. I think that is why I particularly like this photograph.
The diagonal lines of the shot encompass the high tide of the mighty River Adur, the crumbly edge of the old flood defence, and the clean strong angles of the new construction. There is the added visual treat of the red-jacketed workman, the red fence, and that red crane off in the distance.
A selection of my photos of Free Wharf taken over the past 18 months can be found here. Information about Southern Housing Group and this development is here.
there is still time for Christmas orders!
What you can give…
Vouchers are available for the gift of a photography session
All photos from my website are available as archival Giclee prints on rag paper in a variety of sizes
Twenty-nine years of celebrating Thanksgiving in the UK and it is still my favourite holiday. I have even managed to bring my English family and friends round to my way of thinking. So here’s to appreciating our loved ones and whatever it is that we have to be thankful for – there is always something.
For those of you not in the US, eat something nice today with someone you love and you too will have entered into the spirit of the holiday. For my American subscribers, you already know exactly what to do.
The last time there were no Bonfire celebrations in Lewes, it was 1960 and the town had just been severely flooded. It is not surprising that this year the event has been cancelled because of Covid-19. Even so, a week away from the 5th of November, it is hard to imagine there being no riotous, anarchic revelry.
Over the past months I have been working on a collection of Bonfire portraits, laboriously hand-printing them as cyanotypes. When I learned there would be no festivities on the 5th, I set up a pop-up exhibit of the photographs in a lovely old shopfront along the procession route. I thought of it as a tribute to the celebration that couldn’t be celebrated.
I have also published a collection of these portraits as a book. This week’s photo is the last image in the book – the goodbye shot of Smugglers marching down the hill wielding torches and flaming barrels.
On the last day of summer, I swam in a sea with no horizon. It was boundless and made of liquid silver. The morning sun was hidden by a bank of mist and there was a stillness in the air and across the water. As I swam, I savoured the feeling, hoping that I would be able to retrieve it during the months of winter ahead. More of my landscape photographs are here.
Over my past couple of blog posts I have been telling you about my cyanotype journey during lockdown. After experimenting with photographs of storms, wild seas and dramatic landscapes, I wanted to see how this technique would work for portraiture.
I began hunting through the largest collection of portraits in my archive – my Lewes Bonfire photos. I was interested to see what this process could add to the atmosphere of the photos. Again, it took a lot of trial and error. In order for the technique to work, I discovered the photos needed certain qualities. If the light falling on a face was too flat, the photo would not translate well into cyanotype. The same was the case if there was not enough detail – or there was too much, or if the photo was not sharp enough, or if it was too dark. But for the successful ones, the process added a drama and a mystery that would not have been possible by digital means alone.
I have been so excited by the results of my bonfire cyanotypes that I am self-publishing a book of them. It will be available for sale during my Artwave exhibit and also by mail order. More information is available here, and an online version of the book can be viewed here.
A large selection of this new work will be shown as part of the Lewes District Artwave Festival in a joint exhibit with artist Kelly Hall. You can find us at 111 High St, Lewes, BN7 1XY, opposite Shelley’s Hotel. We will be open the first three weekends in September, 11am-5pm. Please do come by and say hello!