The new within the old at the Brighton Dome Corn Exchange

The new within the old at the Brighton Dome Corn Exchange

I have been photographing the huge beautiful windows of the Brighton Dome Corn Exchange for nearly two years now. I love that they never look quite the same depending on the time of day, the quality of light, the stage of renovation, with panes of glass and without, and sometimes covered by large sheets of semi-opaque plastic.

The amount of work that has gone into their refurbishment is enormous. The size and shape varies for every pane of glass, meaning that each one has to be individually fitted into its specific place. I counted 185 panes in just one of the 11 large windows of the main hall. In all, this has been a monumental task.

 

It was very exciting, therefore, to see the finished result this week. Several fully renovated windows were freshly painted and pointed and sporting all new glass. Within these shiny panes you can see the reflection of the new modern extension. This white steel and glass box creates a dazzling light-filled space where the exterior becomes the interior and the beautiful old windows are in pride of place.

More photographs of the refurbishment of the Brighton Dome Corn Exchange can be found here.

Please get in touch if you would like to discuss how we can work together. I deliver photographs that delve deeper than showing just the surface of things.

Lost in space

Lost in space

Wishing you all a very happy New Year! A new year and a 200-year-old ceiling at the Brighton Dome Corn Exchange, the redevelopment I have been documenting over the past 18 months. This monumental, unsupported vaulted roof stretches across a room that is 178 by 58 feet. In other words, it is just enormous.

Over the months I have watched while workers manually stripped the paint off of each strut (there are hundreds), and slowly renewed the wood. Now shiny new bolts are reinforcing this 32ft high expanse. More photos of this fascinating project can be found here

Please get in touch if you would like to discuss how we can work together. 

Idyllic hut in a rural idyll

Idyllic hut in a rural idyll

I’ve been photographing an old grain store on the edge of Lewes as it becomes disabled-access accommodation, located right in the midst of the South Downs National Park. The South Downs Way, the footpath that spans the length of the Park for 100 miles from Winchester to Eastbourne, runs along the ridge in the background of this photo.

Next to the large agricultural building, a little dwelling has sprung up as well. I have been watching this shepherd’s hut take shape over the months and love the way it sits so prettily in its surroundings. On my most recent visit, the sun was low in the sky as evening approached, casting raking light across the site. This made it challenging to photograph but I was interested in the drama it created.

I had to align myself within the shadow of the hut and peer around it with my camera to catch the workmen. You can find more photographs of this lovely project here.

My talk went well at the Lewes History Group last week. I have another one coming up, this time at the Paddock Arts Studios (Paddock Lane, Lewes, BN7 1TW at 3pm). I will be speaking about my project documenting the transition of the old industrial Harvey’s Depot into a state-of-the-art cinema. If you are nearby on the 10th November, please join us.

If you have a building project, workplace or event that you are thinking of photographing, please get in touch.

A magnificent window

Brighton Corn Exchange window

Isn’t this beautiful? It is one of the windows at the Brighton Dome Corn Exchange after refurbishment but still awaiting its many of panes of glass (I just counted space for 185 of them). I have repeatedly been drawn to photographing these huge windows while documenting the redevelopment of this beautiful 200-year-old building. They are magnificent in all their guises, even with broken panes and peeling paint, but to finally start to see them renewed is very pleasing indeed.

Cataloguing with my camera the changes that a building like this undergoes during renovation has many satisfying moments. I find a beauty in all stages of the process, the early messy broken phases through to the clean and ordered final stretch. This build still has a long way to go to completion, but it is offering up glimpses of how spectacular the finished product will be. More photographs of the Brighton Dome Corn Exchange can be found here.

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Sideways rainbow found in Eastbourne

Sideways rainbow found in Eastbourne

Following the ‘new’ theme of my previous photo of the week, here is a shot from the new build construction section of my website. As well as photographing the renovation of heritage buildings, I also document all kinds of construction sites. This is the Arndale Centre, a shopping mall going up in Eastbourne. Every month I chart the progress being made for my clients to share with their stakeholders.

I am sure I have said this before in my blog but finding interesting colours on building sites always makes me happy. Getting both colour and reflective puddles at a shoot makes me doubly so. I have found some beautiful, unexpected colours and light at the Arndale Centre during my visits. It is surprising what you can see on a construction site if your eyes are open to it.

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Dappled light of the Stephen Lawrence Trust Centre

Dappled light of the Stephen Lawrence Trust Centre

The construction work at the Stephen Lawrence Trust Centre is complete, so my part in the project is finished and the blossoming of the Centre into a co-working hub for up-and-coming architects has now begun. It has been a joy to photograph this building and to watch it spring to life. I come away feeling grateful that my skills could have a very practical application in helping a charity that I believe in deeply. What more can one ask for.

For my final shoot, I needed a particular light to capture the sense of welcome of the building. When the sun comes into the foyer in the early evening there is a

transformation of the space. The shadows cast by the Chris Ofili window screen onto the white walls are reminiscent of sun filtering through a forest canopy. This dappled light also helps to define the volume of the space, increasing an awareness of the unusual triangular shape and high ceiling of the room. The new orange corridor that welcomes you through to the back of the building is even more vibrant in this light. The combination of great architecture (David Adjaye), great art (Chris Ofili) and great design (Gensler’s interior design team) have coalesced to create magic. You can see more photographs of this project, and how far it has come in the past year, by using this link.

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