A very rewarding photo of the week

A very rewarding photo of the week

This is the Brighton Dome Corn Exchange on my very first site visit. I had never been inside the building before and was overwhelmed by the sheer size and beauty of this interior space. It was a very hot June day and afternoon sunlight was streaming in through the huge iconic west-facing windows.

It is that figure, dead centre and running in the shaft of light, that always gets me. He looks so tiny, giving perspective to the enormity of the room.

The special reason for sharing this cyanotype today is that it is being offered as a reward for a crowdfunding campaign to raise money for the Brighton Dome and Corn Exchange.

The Brighton Dome need to raise funds urgently as they are still recovering from the impact of covid, plus facing huge increases in energy costs and inflation.They do so much to support the arts and are an invaluable part of their community: “We employ 130 full-time equivalent permanent staff, 200 casual workers, around 100 freelance artists and creative workers and 131 volunteers, and have a duty, as custodians of these spaces, and a commitment to the artists we support.” I am one of those 100 freelance artists.

I have three different cyanotypes of the Corn Exchange refurbishment being offered at a variety of levels, from greeting cards, to reproduction prints, to signed, hand-printed originals.

Please do check out the link and give generously if you are able.

Dulverton Laundry, Somerset, 1992

Dulverton Laundry, Somerset, 1992

Here is a change of pace for you, after those monumental Brighton buildings. This photograph is from a documentary series shot in Somerset in the early 1990s.

Dulverton Laundry was, at the time, the main employer in a remote town on the edge of Exmoor National Park, and provided the surrounding area with laundry and dry cleaning services.

The laundry was housed in an interesting structure that represented an early example of industrial building, and was originally water-powered by the leat that ran beneath it.

By far the most interesting aspect of my several trips to the laundry were the employees. Alongside an obvious pride in their work, I remember a sense of people having worked together for years, and the banter and camaraderie that this engendered.

The building has been preserved because of its Grade II listing, but the business closed three years ago, with the loss of 22 jobs. The closure of a local business like this hurts the community on so many levels.

Photographs of the laundry can be found here and more photos of other work environments are here.

Love me some verdigris

Love me some verdigris

This jaunty roof is part of the Brighton Dome Corn Exchange, where I have been documenting an extensive redevelopment project. Apart from the simple joy of this view, I would like to point out the two vertical panels of a slightly different colour. These panels are new and were made specially to match as closely as possible the centuries-old verdigris of the existing roof. A section of the roof had to be removed, necessitating replacements. The thing is, these panels are not visible from the street. In fact, they are only visible from up on the roof itself, and yet still the effort was made to keep it as authentic as possible.

I point this out because they represent an attention to detail that exists throughout the build. This is just one example of the lengths that the Brighton Dome are going to repair and rejuvenate this unique 200-year-old building, inside and out, with the help of a further £1 million in Lottery Heritage funding announced last month. You can read the latest news about the project on the Dome website here and find more of my photographs of the project here.

Please get in touch if you have a workplace, an event, a celebration, a portrait or a building project you would like to have photographed.

New flood defence

New flood defence

This is Free Wharf, a large scale development that will bring 536 mixed tenure homes and commercial spaces to Shoreham Harbour over the next few years. I have been photographing the site for Southern Housing Group since July of last year. This shot is significant because it shows the new flood defence inside the rusty old sea wall running parallel to it.

The engineering required to build this is beyond my understanding, but I have been photographing the muddy, mucky, painstaking process over the past year and a half. I think that is why I particularly like this photograph.

The diagonal lines of the shot encompass the high tide of the mighty River Adur, the crumbly edge of the old flood defence, and the clean strong angles of the new construction. There is the added visual treat of the red-jacketed workman, the red fence, and that red crane off in the distance.

A selection of my photos of Free Wharf taken over the past 18 months can be found here. Information about Southern Housing Group and this development is here.

there is still time for Christmas orders!

What you can give…

  • Vouchers are available for the gift of a photography session
  • All photos from my website are available as archival Giclee prints on rag paper in a variety of sizes
  • Hand-printed cyanotypes from my collection
  • Lewes Bonfire Portraits book of cyanotypes
  • 11 Sun Street a photographic story of a Victorian terraced house in Lewes

Contact me to get further information on any of the above.

First photos ever taken of the Corn Exchange ceiling

First photos ever taken of the Corn Exchange ceiling

I am so pleased to be able to share this photograph I took of the Brighton Dome Corn Exchange in January. This is the apex of the magnificent vaulted roof. At a height of 34 ft (10.3m), this unsupported structure covers a space of 178 by 58 ft (54 by 17.6m), the widest span timber frame in the country. Legend has it that there were delays to the construction of the building 200 years ago because of the difficulty of finding large enough single spans of roof timber.

This ceiling has never been photographed up close because it has remained too difficult to get to – until now. The wooden platform shown here is laid across the top of the scaffolding birdcage that fills the open space of the Corn Exchange, giving access to the timbers for the first time in 200 years. This enables them to be examined and repaired – and photographed. Lucky me, I got to be the one for the job.

Many more of my photographs of the Corn Exchange restoration can be found here. You can read more about the progress of the work on the Brighton Dome website here.

The underwater room

The underwater room

Building materials can play the strangest visual tricks. This skylight was covered in a blue plastic film that filtered watery light down into the room below. The two light fittings were also wrapped in plastic, somehow making them appear like they were floating up the wall, accentuating the underwater feeling inside the room. I would happily have stayed there soaking up that sense of submersion. Perhaps it relates to all the time I have spent lately in and on the sea.

This watery room is in an old barn that I’ve been photographing for the past couple of years as it becomes luxury holiday accommodation. The Grain Store is nestled right in the midst of the South Downs, surrounded on all sides by soft rolling hills. You can find more photos of this project here.

Please get in touch if you have an event, a celebration or a portrait you would like to have photographed or, of course, a building project documented.

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